The Number One Educational Resource for the Game Industry
GDC 2002
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GDC 2002
A Data-Driven Object System
Programming
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GDC 2002
Action-Based Discretization for AI Search
Programming
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GDC 2002
Afterthoughts: Audio of Rogue Leader
Audio
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GDC 2002
American Mc Gee's Alice - a Postmortem: Lessons Learned
by American McGee (Spicy Horse)
Audio
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GDC 2002
Another Five Years from Now: Future Technologies
Programming
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GDC 2002
Battling Level Design in Hardcore Genres for Casual Gamers
Level Design
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GDC 2002
Beyond Psychological Theory: Getting Data that Improves Games
Game Design
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GDC 2002
Character Animation for Video Games
Visual Arts
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GDC 2002
Cinematic Lighting for 3D
Visual Arts
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GDC 2002
Complexity Demons: They`re All Around Us
Game Design
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GDC 2002
Console Audio Panel
Audio
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GDC 2002
Creating Games within a Large Organization
Production
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GDC 2002
Creating Stars and Planets in Earth and Beyond
Programming
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GDC 2002
Creating the Illusion of Intelligence: Where AI and Level Design Overlap...
Programming
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GDC 2002
Crossing over to film and back again (visual arts keynote)
Visual Arts
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GDC 2002
Enter the Dragon
Business and Legal
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GDC 2002
Episodic Content: Viva La Evolution!
Game Design
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GDC 2002
Examining the Production Process for the No One Lives Forever Franchise
Production
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GDC 2002
Flight Simulator X-Plane -A Postmortem: Profiting on the Web
Business and Legal
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GDC 2002
Fun and Games
Programming
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GDC 2002
Fundamentals of Lighting and Perception
Programming
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GDC 2002
Games with Collectable Elements
Game Design
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GDC 2002
Genre Specific World Building in SSX
Visual Arts
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GDC 2002
Global IP Protection and Anti-Piracy Techniques
Business and Legal
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GDC 2002
Halo Audio
Audio
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GDC 2002
Hardcore Character Modeling and Animation
Visual Arts
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GDC 2002
IGDA White Paper on Online Gaming
Game Design
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GDC 2002
Image Based Rendering for Games
Programming
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GDC 2002
In Depth 3D Exporter Design+ Implementation
Programming
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GDC 2002
Incredibly Dense Meshes
Programming
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GDC 2002
Innovation on Demand
Business and Legal
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GDC 2002
Intellectual Property: The Current Game of Swords and Shields
Business and Legal
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GDC 2002
Interviewing Techniques
Production
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GDC 2002
Level of Detail Rigid Body Physics
Programming
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GDC 2002
Maintaining an Edge in an Increasingly Competitive Field
Audio
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GDC 2002
Managing Large Online Communities
Production
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GDC 2002
Managing large Voume Text Translations in Computer Games
Programming
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GDC 2002
Manhattan as a Muse: NYC as a Concept Tool
Level Design
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GDC 2002
May Time Be with You: Level Designing Rogue Leader
Level Design
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GDC 2002
Mobile Phone Games: Where Are They Now and Where Are They Going?
Business and Legal
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GDC 2002
Modern Techniques in Creating Tile-Based Graphics for Game Boy Advance
Game Design
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GDC 2002
More of the 400: Discovering Design Rules
Game Design
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GDC 2002
Multi Scale Communities
Game Design
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GDC 2002
Negotiating the Best Deals
Business and Legal
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GDC 2002
Next Generation Console Development and Production in the Global Market:...
Production
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GDC 2002
Nintendo GameCube Programming 101
Programming
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GDC 2002
Of Internet Servers and SQL Databases: Designing the Backend for Power a...
Programming
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GDC 2002
Parappa 2 and Vib Ribbon 2: Conflicts and Problems in Creating Sequels
Game Design
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GDC 2002
Payneless Level Design
Level Design
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GDC 2002
PlayStation 2 Geometry Transform and Clipping Using Vector Unit Micropro...
Programming
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GDC 2002
Polygon soup for programmer soul
Programming
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GDC 2002
Preproduction
Production
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GDC 2002
Quality or Death: How the Business Model and Player Psychology Collide i...
Production
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GDC 2002
Race against Time
Visual Arts
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GDC 2002
Rainbow Connection
Production
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GDC 2002
Real-Time Hatching
Programming
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GDC 2002
Real-Time Strategy Game Balance
Programming
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GDC 2002
Realistic Expectations in Developer/Publisher Relations
Business and Legal
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GDC 2002
Realistic Modeling of Sound and Deformation
Programming
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GDC 2002
Redefining the Business of Game Development
Business and Legal
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GDC 2002
Rendering Outdoor Light Scatter
Programming
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GDC 2002
REZ: The Synesthesia that Games Invite
Game Design
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GDC 2002
Seamen
Game Design
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GDC 2002
So Many Polys, So Little Time: Modeling and Texturing Rogue Leader
Visual Arts
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GDC 2002
Social Activities: Implementing Wittgenstein
Programming
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GDC 2002
Sony Entertainment R&D Keynote
Programming
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GDC 2002
Staying on time and on budget
Production
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GDC 2002
Taming A Wild River: 3d Fluid Simulation
Programming
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GDC 2002
The Complete 5.1 Audio Experience for Video Games Panel
Audio
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GDC 2002
The Employment Lifecycle: Your Best Investment
Business and Legal
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GDC 2002
The Evolution of the Fantasy Role Playing Genre
Game Design
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GDC 2002
The Hook(s) of the Game
Game Design
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GDC 2002
The Making of Shrek
Visual Arts
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GDC 2002
The More Things Change'
Audio
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GDC 2002
The Necessity of Character Design in Game Development
Game Design
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GDC 2002
The Physics that Brought Cel Damage to Life: A Case Study
Programming
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GDC 2002
The Player With a Thousand Faces: Measuring Fun and Adapting Difficulty
Game Design
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GDC 2002
The Quest for Pure Motion Capture
Visual Arts
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GDC 2002
The Role of Technical Director at LucasArts
Production
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GDC 2002
The Secret of Psalm 46
Game Design
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GDC 2002
The Visual Engineering of SSX
Programming
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GDC 2002
This is Not a Game: A Discussion on the Creation of the AI Web Experience
Game Design
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GDC 2002
Toss it in the Blender: Non Linear Animation for Games
Visual Arts
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GDC 2002
Tracking Assets in the Production of Final Fantasy: The Spirits Within
Production
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GDC 2002
Two Dozen Ways to Screw up a Perfectly good Project
Production
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GDC 2002
UI Case Study: This is Football 2002
Visual Arts
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GDC 2002
Using a Live Orchestra in Game Soundtracks
Audio
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GDC 2002
Using a Webcam as a Game Controller
by Jonathan Blow (Number None, Inc.)
Audio
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GDC 2002
Vector Units and Quaternions
Programming
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GDC 2002
Virtually Limitless: Virtual Memory on Gamecube
Programming
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GDC 2002
What Worked: 10 Detailed Examples of Successful Character Action Design
Game Design
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GDC 2002
When Maps Collide: A Conversation with Will Wright and Scott McCloud
Game Design
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GDC 2002
Writing Design Documents
Game Design
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GDC 2002
Xbox Launch: Lessons Learned
Production
